The writers and editors at NJ Spotlight like to take advantage of the August slowdown to ease back on the throttle themselves and spend more time with family and friends. While we’re recharging, however, we’ll be posting an excerpt from a book or author with a New Jersey connection every day as part of our Summer Reading series. We’ll be back rested and ready on September 4. Have a great Labor Day and keep reading.
“Goodbye, Columbus” is the first novella from one of New Jersey’s—and America’s—most acclaimed writers, Philip Roth, who passed away in May. Written in 1959, the story tracks—at times, satirically—a young Jewish man’s search for identity and struggle to assimilate in working-class Newark. It won the National Book Award in 1960. In addition to growing up in the Weequahic neighborhood of Newark, Roth also taught creative writing for two years at Princeton University.
The next morning I found a parking space on Washington Street directly across from the library. Since I was twenty minutes early I decided to stroll in the park rather than cross over to work; I didn't particularly care to join my colleagues, who I knew would be sipping early morning coffee in the binding room, smelling still of all the orange crush they'd drunk that weekend at Asbury Park. I sat on a bench and looked out towards Broad Street and the morning traffic. The Lackawanna commuter trains were rumbling in a few blocks to the north and I could hear them, I thought — the sunny green cars, old and clean, with windows that opened all the way. Some mornings, with time to kill before work, I would walk down to the tracks and watch the open windows roll in, on their sills the elbows of tropical suits and the edges of briefcases, the properties of businessmen arriving in town from Maplewood, the Oranges, and the suburbs beyond.
The park, bordered by Washington Street on the west and Broad on the east, was empty and shady and smelled of trees, night, and dog leavings; and there was a faint damp smell too, indicating that the huge rhino of a water cleaner had passed by already, soaking and whisking the downtown streets. Down Washington Street, behind me, was the Newark Museum — I could see it without even looking: two oriental vases in front like spittoons for a rajah, and next to it the little annex to which we had traveled on special buses as schoolchildren. The annex was a brick building, old and vine-covered, and always reminded me of New Jersey's link with the beginning of the country, with George Washington, who had trained his scrappy army — a little bronze tablet informed us children — in the very park where I now sat. At the far end of the park, beyond the Museum, was the bank building where I had gone to college. It had been converted some years before into an extension of Rutgers University; in fact, in what once had been the bank president's waiting room I had taken a course called Contemporary Moral Issues. Though it was summer now, and I was out of college three years, it was not hard for me to remember the other students, my friends, who had worked evenings in Bamberger's and Kresge's and had used the commissions they'd earned pushing ladies' out-of-season shoes to pay their laboratory fees. And then I looked out to Broad Street again. Jammed between a grimy-windowed bookstore and a cheesy luncheonette was the marquee of a tiny art theater—how many years had passed since I'd stood beneath that marquee, lying about the year of my birth so as to see Hedy Lamarr swim naked in Ecstasy; and then, having slipped the ticket taker an extra quarter, what disappointment I had felt at the frugality of her Slavic charm . . . Sitting there in the park, I felt a deep knowledge of Newark, an attachment so rooted that it could not help but branch out into affection.
Suddenly it was nine o'clock and everything was scurrying. Wobbly-heeled girls revolved through the doors of the telephone building across the way, traffic honked desperately, policeman barked, whistled, and waved motorists to and fro. Over at St. Vincent's Church the huge dark portals swung back and those bleary-eyes that had risen early for Mass now blinked at the light. Then the worshipers had stepped off the church steps and were racing down the streets towards desks, filing cabinets, secretaries, bosses, and — if the Lord had seen fit to remove a mite of harshness from their lives — to the comfort of air-conditioners pumping at their windows. I got up and crossed over to the library, wondering if Brenda was awake yet. The pale cement lions stood unconvincing guard on the library steps, suffering their usual combination of elephantiasis and arteriosclerosis, and I was prepared to pay them as little attention as I had for the past eight months were it not for a small colored boy who stood in front of one of them. The lion had lost all of its toes the summer before to a safari of juvenile delinquents, and now a new tormentor stood before him, sagging a little in his knees, and growling. He would growl, low and long, drop back, wait, then growl again. Then he would straighten up, and, shaking his head, he would say to the lion, "Man, you's a coward..." Then, once again, he'd growl.
The day began the same as any other. From behind the desk on the main floor, I watched the hot high-breasted teen-age girls walk twitchingly up the wide flight of marble stairs that led to the main reading room. The stairs were an imitation of a staircase somewhere in Versailles, though in their toreador pants and sweaters these young daughters of Italian leatherworkers, Polish brewery hands, and Jewish furriers were hardly duchesses. They were not Brenda either, and any lust that sparked inside me through the dreary day was academic and time-passing. I looked at my watch occasionally, thought of Brenda, and waited for lunch and then for after lunch, when I would take over the Information Desk upstairs and John McKee, who was only twenty-one but wore elastic bands around his sleeves, would march starchily down the stairs to work assiduously at stamping books in and out. John McRubberbands was in his last year at Newark State Teachers College where he was studying at the Dewey Decimal System in preparation for his lifework. The library was not going to be my lifework, I knew it. Yet, there had been some talk — from Mr. Scapello, an old eunuch who had learned somehow to disguise his voice as a man's — that when I returned from my summer vacation I would be put in charge of the Reference Room, a position that had been empty ever since that morning when Martha Winney had fallen off a high stool in the Encyclopedia Room and shattered all those frail bones that come together to form what in a woman half her age we would call the hips.
I had strange fellows at the library and, in truth, there were many hours when I never quite knew how I'd gotten there or why I stayed. But I did stay and after a while waited patiently for that day when I would go into the men's room on the main floor for a cigarette and, studying myself as I expelled smoke into the mirror, would see that at some moment during the morning I had gone pale, and that under my skin, as under McKee's and Scapello's and Miss Winney's, there was a thin cushion of air separating the blood from the flesh. Someone had pumped it there while I was stamping out a book, and so life from now on would be not a throwing off, as it was for Aunt Gladys, and not a gathering in, as it was for Brenda, but a bouncing off, a numbness. I began to fear this, and yet, in my muscleless devotion to my work, seemed edging towards it, silently, as Miss Winney used to edge up to the Britannica. Her stool was empty now and awaited me.
Just before lunch the lion tamer came wide-eyed into the library. He stood still for a moment, only his fingers moving, as though he were counting the number of marble stairs before him. Then he walked creepily about on the marble floor, snickering at the clink of his taps and the way his little noise swelled up to the vaulted ceiling. Otto, the guard at the door, told him to make less noise with his shoes, but that did not seem to bother the little boy. He clacked on his tiptoes, high, secretively, delighted at the opportunity Otto had given him to practice this posture. He tiptoed up to me.
“Hey,” he said, “where's the heart section?”
“The what?” I said.
Author photograph: © Nancy Crampton
Excerpt from Goodbye, Columbus by Philip Roth. Copyright © 1959, renewed 1987 by Philip Roth. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
from the 2018 Summer Reading Series.